The Encolpion Reliquary Crosses from Cobankale

dc.contributor.authorSayin, Esra
dc.contributor.authorSeckin, Selcuk
dc.date.accessioned2024-09-11T19:53:04Z
dc.date.available2024-09-11T19:53:04Z
dc.date.issued2023
dc.departmentİstanbul Gelişim Üniversitesien_US
dc.description.abstractRegarding Byzantine religious art, many new discoveries were unearthed with the five-season excavations carried out in Cobankale, located in the Altinova/Yalova. The encolpion reliquary crosses, which this article focuses on, are only a few of these data. Reflecting the most open and private use of personal piety reflected in material culture, the reliquary crosses come to the fore in the Byzantine religious world with their apotropaic meanings as well as their basic religious functions as encolpions. It is thought that the encolpion reliquary crosses, which are a part of the individual belief style in the religious Byzantine society, generally protect individuals from evils, calamity and diseases due to the relics they carry. The aim of this article is to evaluate the reliquary crosses unearthed in the chapel burials in Cobankale and their place in the Byzantine religious world. In this context, based on the narratives of ancient authors about encolpions, the functions of the artifacts were emphasized, and dating suggestions were presented by comparing similar examples in the inventories of museums in different regions of Anatolia and unearthed by excavations.en_US
dc.description.sponsorshipTurkish Historical Society; Mimar Sinan Fine Arts University; Altinova Municipalityen_US
dc.description.sponsorshipWe would like to thank the General Directorate of Cultural Heritage and Museums for their permission to the Cobankale Excavations, the Turkish Historical Society and Altinova Municipality for their support, and Mimar Sinan Fine Arts University for their SRP support. The survey works of the chapel were made by Architect Assoc. Prof. Ilke Ciritci and Turkish Historical Society expert Belma Gunal. The drawing and photographing of Cobankale reliquary crosses were made by Uludag University Art History Department graduate students Yusuf Gul and Turkish Historical Society expert Belma Gunal. Conservation and restoration applications were made by Efe Emre Yetkin, a student of Istanbul Gelisim University, Department of Conservation and Restoration of Cultural Heritage. We thank them for their contribution to the work.en_US
dc.identifier.doi10.26650/artsanat.2023.20.1278458
dc.identifier.endpage530en_US
dc.identifier.issn2148-3582
dc.identifier.scopus2-s2.0-85169478112en_US
dc.identifier.startpage505en_US
dc.identifier.urihttps://doi.org/10.26650/artsanat.2023.20.1278458
dc.identifier.urihttps://hdl.handle.net/11363/8050
dc.identifier.volume20en_US
dc.identifier.wosWOS:001046701400019en_US
dc.identifier.wosqualityN/Aen_US
dc.indekslendigikaynakWeb of Scienceen_US
dc.language.isotren_US
dc.publisherIstanbul Univ, Research Inst Turkology, Dept Art Historyen_US
dc.relation.ispartofArt-Sanaten_US
dc.relation.publicationcategoryMakale - Uluslararası Hakemli Dergi - Kurum Öğretim Elemanıen_US
dc.rightsinfo:eu-repo/semantics/closedAccessen_US
dc.snmz20240903_Gen_US
dc.subjectCobankaleen_US
dc.subjectEncolpionen_US
dc.subjectReliquary Crossen_US
dc.subjectChristianityen_US
dc.subjectByzantiumen_US
dc.titleThe Encolpion Reliquary Crosses from Cobankaleen_US
dc.typeArticleen_US

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