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Öğe İLLUSTRASYONLAR: Sergi Kataloğu (21 - 28 Mayıs 2021) Bağımsız Sanat Vakfı, İstanbul, Türkiye(Öznur Işır Yarkataş, 2021) Işır Yarkataş, ÖznurABOUT ÖZNUR’S ARTWORKS I met oznur Isir in Kosovo during a symposium. I saw the sheets of paper placed on the ground, one then two and soon a field of two-colored leaves, lightly painted in water, I hadn’t seen anything yet. And when Oznur had finished preparing all these light and cheerful little surfaces, she began to draw very small things, barely visible, in a few lines of formidable efficiency. I approached, curious to see and I was touched in the heart by… a small house. The whole art of Oznur is to provoke a torrent of emotion with an economy of means, a sobriety that suddenly propels you into childhood, the smells of spring in the fields. She captured me in her world with this effect of overwhelming surprise and great tenderness, pure poetry, dreamlike painting. She eliminates the superfluous, she seeks the essential in few lines and the emotion is intact. Everything participates from the choice of two contrasting colors that blend into each other, to the small tree attached to the house, the depth of the design through the perspective of these small houses in the distance, everything is simple, but measured and with great accuracy. Getting to trigger great emotions with such lightness, on a small format while remaining in a great simplicity, it’s great art. EMMA POPPYÖğe MEKAN ve DOĞA- İllustratif Yansımalar: Sergi Kataloğu (26 Şubat - 8 Mart 2021): Mekan Blogspot, Balıkesir, Türkiye(Öznur Işır Yarkataş, 2021) Işır Yarkataş, ÖznurAs Ursula K. Le Guin puts it; “Big fantasies, myths and tales are like dreams; they speak to consciousness from the unconscious, with the language of the unconscious, symbols and archetypes. Although they use words, they function like music; they disable verbal reasoning and go to thoughts that lie too deeply which are not to be said directly”. They enable us to understand the world, ourselves, birth, death and the experience of being alive, and they guide us. Of course, we moderns have detached the world from its natural inspiration and nature itself. We were left alone in our cities, confused without guidance and comrades. Her artworks are also her adventure in the search of the house of light. She hopes to re-establish ties with the roots of the world. While exploring the coincidences brought by the nature of the material in her artworks, she directly uses the texts taken from fairy tales and myths. The purpose of the texts is to convey an intuitive message rather than being read.
