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    Discourse of Fate and Free Will According to the Inevitable End in the Matrix
    (International Balkan University, 2018) Acar, Yasin
    Matrix is a term used in mathematics and engineering and it is a series of numbers ranked on a plane. The Latin meaning of the Matrix is the womb that the only place in the world where one feels most secure and comfortable, and sleep continuously isolated from the realities of the outside world. Matrix means a highly developed form of a computergenerated program. Thanks to the developments in modern technology, without the "outside world", perceptions can be seen very realistic. There are very special effects and very technological elements in the movie, yet here, it is going to be criticized fate and free will with its philosophical background. This paper will also be motivated by two significant issues; predestination(fate) and free will. Both of them will be examined through both on the symbols and the choices of the characters and the study will be passed over the protagonist in the body part of the article. Neo and certain biblical or religious elements. Finally, addition to the all questions which mentioned next chapeters, the study will especially try to respond the questions of, “If we believe in God and we confirmed to obey God’s orders, then can we say that we have any freedom of choice?”
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    Media and Culture Rethinking Culture and Media
    (Fırat Üniversitesi Eğitim Fakültesi ; Asos Eğitim Bilişim Danışmanlık San. Tic. Ltd. Şti., 2018-03-30) Acar, Yasin
    Culture and media represent two terms which nowadays have special connection. This connection was nott so strong in the early days. It seems that the extremely modern today’s technology definitely plays its inevitable role. Media as a term for the first time appears in the first half of the 20th century. For this reason the mutual connection between the culture as a term and the media, mass media as other terms, wasn’t so obvious. One or two centuries ago the modern TV, numerous TV channels, modern digital things, numerous TVs were not something unthinkable. For this reason one, two or more centuries ago the main cultural activity was performed through the theatrical stage and the glamorous waves organizes by the numerous kings, emperors and other rulers through Europe and abroad. In these conditions it was absolutely impossible to talk, write or debate about the culture and media as mutual connected terms. Even after the first appearance of the term media and the fast development of the modern technology these two terms, the culture and media, became able to demonstrate their mutual connection; finally the simple man from the whole world was able to see and feel this connection between these two terms; finally even the simple man dared to write about his/her culture, customs, tradition, language, nationality, ethnicity and to represent it in the different magazines, newspapers, even books. At this point we can say that the culture and the media, little by little but for sure entered in the circle of the common connection. That’s the moment when these two terms finally were located in one common place and the simple masses started observing these terms as two inevitable connected terms. Of course, the numerous TV channels and the fast development of the modern technology started representing the culture as an important and extremely interesting thing for representing, discussing and debating; however, this mutual development and connection will be described in more details in the next part of this arti cle. For this reason here I will finish with my abstract but I will invite you to read further my article; this article offers interesting details for the culture and media and their strong connection not only as terms but also their connection with our daily society; I think this detail would be an quite strong reason to convince you to read and publish my article which contains an obvious cosmopolitan character. Keywords: Culture,Media,Definition of Media and Culture,T.V
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    The Representation of ‘the New Woman’ in Kate Chopin’s the Awakening and in Halit Ziya Uşaklıgil’s Aşk-ı Memnu
    (Nurşen Adak, 2021) Acar, Yasin; Özenç, Ardeniz
    Social changes take place when a culture is confronted with the influence of another culture which is more dominant or ‘higher’ with predetermined sets of values. In Kate Chopin’s work, The Awakening, the Creole culture is changing due to the influence of the North (of America) and similarly in Halit Ziya Uşaklıgil’s novel, Aşk-ı Memnu, Turkish culture is affected by the West (Europe). The results of these influences are observed best through women characters and conceptions about womanhood because in the 19th century women started contributing more and more to the socio-economic lives in their societies both in America and the Ottoman Empire. Two heroines of these novels, Edna and Bihter, do not conform to the norms of their society, they disobey the rules that have been arranged for them and eventually give up on their own lives. Both heroines represent the new type of woman or the ‘New Woman’, who seeks to set the rules of her own life and enjoys the same social freedom as men do. However, these women cannot manage the overwhelming social changes and eventually falter. The representations of the “New Woman” in both novels show that women who have sought their independence cannot go beyond the limitations set for them by society and they fail in asserting their individuality because of that very reason. The American and Ottoman societies in the 19th century are not ready yet and these women cannot go outside the norms. These novels of the same period with two very different settings put forward the same dilemma about the “New Woman'' and how she tried but failed in the face of the conflicts arising from her choices. The aim of this article is to analyse how social, economic and political changes affect the conceptions about women and femininity, and how women characters struggle against the challenges they confront in contending for their freedom as the liberated “New Woman''.