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dc.contributor.authorBeteş, Fulya
dc.contributor.authorKutay, Uğur
dc.date.accessioned2019-01-29T10:23:01Z
dc.date.available2019-01-29T10:23:01Z
dc.date.issued2018-04
dc.identifier.issn2411-9598
dc.identifier.issn2411-4103
dc.identifier.urihttp://hdl.handle.net/11363/1042
dc.description.abstractThis research is a summary of the existence, transformation and development of the concept of intertextuality in the contemporary photographic art, which has been talked about in recent years in post-modern thought. In the context of this study, reflections of intertextuality on the photography art is investigated. Italian contemporary photographer Ugo Mulas, who use intertextual approach successfully in photography, has been examined through his works, especially “Verifications” photography series. Mulas’s intertextual transactions, that he used his works, are explained and his works are analyzed in terms of context and style.en_US
dc.language.isoengen_US
dc.publisherEuropean Centre for Research Training and Developmenten_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.rightsAttribution-NonCommercial-NoDerivs 3.0 United States*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/us/*
dc.subjectResearch Subject Categories::SOCIAL SCIENCESen_US
dc.titleEvaluation of Intertextuality Concept in Photography Through Ugo Mulas’s Artworksen_US
dc.typearticleen_US
dc.relation.ispartofEuropean Journal of Language and Literature Studiesen_US
dc.departmentİstanbul Gelişim Üniversitesien_US
dc.identifier.volume4en_US
dc.identifier.issue1en_US
dc.identifier.startpage49en_US
dc.identifier.endpage55en_US
dc.relation.publicationcategoryKategori Yoken_US


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